The Gilcrease's publication Woody Crumbo references Crumbo's development of his etchings on page 123, illustrating several of them on pages 109, 128-133.
His daughter Minisa Crumbo Halsey shares meaningful information about her father in the chapter titled The Taos Years in the Gilcrease's book.
Perry's other publication Uprising Woody Crumbo's Indian Art also treats Mr. Crumbo's etchings and screenprints.
Horse Colt and Prairie Dog is pictured on page 129 of the Gilcrease's publication.
Description | The Gilcrease's publication Woody Crumbo references Crumbo's development of his etchings on page 123, illustrating several of them on pages 109, 128-133. His daughter Minisa Crumbo Halsey shares meaningful information about her father in the chapter titled The Taos Years in the Gilcrease's book. Perry's other publication Uprising Woody Crumbo's Indian Art also treats Mr. Crumbo's etchings and screenprints. Horse Colt and Prairie Dog is pictured on page 129 of the Gilcrease's publication. |
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About the Artist | (1912-1989) "Woodrow Crumbo was an American Indian artist, flautist and dancer of Potawatomi descent. As an independant prospector, he found one of the largest beryllium veins in the nation. His paintings are held by several museums including the Smithsonian Institute and the Metropolitan Museum of Art. Born in Oklahoma, Crumbo moved with his mother to Kansas as child after the death of his father in 1916. Orphaned in 1919, he spent the rest of his childhood living with various American Indian families. He earned a scholarship to the Wichita American Indian Institute, graduating as valedictorian to continue his studies at Wichita University and the University of Oklahoma. After his teacher at Chilocco Indian School sold some of Crumbo's paintings to the San Francisco Museum of Art, Crumbo shifted his career plans from professional Native American dancer to visual artist. Between 1938 and 1941 Crumbo worked as Director of Art at the Bacone College in Muskogee. A few years later he curated a collection of Native American art at the Thomas Gilcrease Institute in Tulsa." excerpted from Wikipedia |
Culture | American Indian |
Style | Whimsical |
Medium | Etching and aquatint on paper |
Plate size | 4" height X 5 1/2" width |
Frame | Archivally matted, uv filtering glass, black finished wood molding |
Frame size | 10 5/8" height X 12 5/8" width |
Signed | "by Woodry Crumbo" in graphite at lower right marginC |
Date of creation | Circa 1948 |
Condition | Excellent, as appeared framed, glazed |
Provenance | Am Lon |