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Helen Hardin

About Helen Hardin

(1943-1984) Little Standing Spruce (Tsa-Sah-Wee-Eh) is the name the artist was given a month after her birth at the Santa Clara Pueblo reservation. Her mother, Pablita Velarde was highly recognized as a painter of the earlier generation. Helen succombed from cancer at the age of 41 in 1984.

She worked as an independent artist from the middle 1970's until her death.

Her work has been exhibited at many major museums both before and after her passing: the Institute of American Indian Art and the Wheelwright Museum (solo) plus the Heard Museum, Philbrook Art Center, Joslyn Art Museum, National Museum of Natural History and the Mitchell Indian Museum (group exhibitions).

The hardback volume Changing Woman: The Life and Art of Helen Hardin was published in 1989. In 1975 Hardin was the only woman artist in a PBS film series about Native American artists. Helen's art contribution is marked by her transition from realism to abstraction. This transition is identified as just after 1968 when she was introduced to using drafting tools such as a compass, protractors and plastic curves. These tools were conducive to an orientation toward more linear compositions.

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About the Artist

(1943-1984) Little Standing Spruce (Tsa-Sah-Wee-Eh) is the name the artist was given a month after her birth at the Santa Clara Pueblo reservation. Her mother, Pablita Velarde was highly recognized as a painter of the earlier generation. Helen succombed from cancer at the age of 41 in 1984.

She worked as an independent artist from the middle 1970's until her death.

Her work has been exhibited at many major museums both before and after her passing: the Institute of American Indian Art and the Wheelwright Museum (solo) plus the Heard Museum, Philbrook Art Center, Joslyn Art Museum, National Museum of Natural History and the Mitchell Indian Museum (group exhibitions).

The hardback volume Changing Woman: The Life and Art of Helen Hardin was published in 1989. In 1975 Hardin was the only woman artist in a PBS film series about Native American artists. Helen's art contribution is marked by her transition from realism to abstraction. This transition is identified as just after 1968 when she was introduced to using drafting tools such as a compass, protractors and plastic curves. These tools were conducive to an orientation toward more linear compositions.

Culture American Indian, Women Artists
Style Stylization
Medium Acrylic on board
Sight size 11 3/4" height X 8 3/4" width
Frame Inner wood molding floated against orange burlap-covered surface outlined in medium dark wood molding
Frame size 19 1/4" height X 16 1/4" width
Signed "Tsa.sah.wee.eh 1977" at viewer's lower right
Date of creation 1977
Condition Excellent, as appeared framed
Provenance RF-12
Other Works by Helen Hardin
Bird at Santo Domingo Pueblo, Paintings by Helen Hardin White Buffalo Dance, Paintings by Helen Hardin
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