Ramada at Taos
Edward Borein
- Item Purchased
- Marked Down $1,200.00
- Gallery Price $4,000.00
- Title
- Ramada at Taos
- Artist
- Edward Borein
- Medium
- Etching and drypoint on paper
- Catalogue raisonne
- Galvin #239
- Sight size
- 7 1/2" height X 11 1/4" width
- Plate size
- 6 7/8" height X 10 7/8" width
- Paper size
- 9 7/8" height X 14 7/8" width
- Frame
- Archival top mat board, regular glass, stained wood molding
- Frame size
- 15 1/8" height X 18 1/8" width
- Signed
- "Edward Borein" at viewer's lower right margin in graphite
- Condition
- Very good. Paper conservator has treated paper to de-acidify paper, also treating margin foxing.
- Provenance
- A Sedona art collector acquired this etching from Mitchell Brown Fine Arts in Scottsdale, AZ
- About The Ramada at Taos
Collectors of western art want to include a Borein etching or two amongst their holdings. His distinctive style was and is immediately recognizeable. His imagery often conveyed the grit or the dust accompanying each scene. A ramada is a shelter made of logs and covered with the branches of trees.
Marked Down from $2,800 to $1,200
- About Edward Borein
- "Edward Borein was born in San Leandro, California. At the age of 17, he left school to work with a saddlemaker. He then worked for several years as a cowboy, constantly sketching and occasionally sending his drawings to magazines for illustration. Borein spent a month in 1891 at the San Francisco Art Association, where he met Maynard Dixon, who would gain notice as an important painter of the desert country. Leaving art school, Borein hired on as a cowboy at the Jesus Maria Rancho in Santa Barbara and then at a ranch in Malibu. The owner, who admired the young man's sketches, staked him to an extended sketching tour of Mexico. When he returned, Borein joined the "San Francisco Call" as a staff artist, earning eight dollars a week - even less than cowboy pay. With Dixon, Borein toured the Sierras, Carson City, and parts of Oregon and Idaho in 1901, returning to Mexico two years later. It was during this trip that he began making watercolors. In 1904, he settled in Oakland where he painted and produced some sculpture. After many years of marginal work, he became a very successful illustrator for the great magazines of the day: "Harper's", "Collier's", "Sunset", "Century", and "Western World". He became one of the most popular artists in America, gaining national fame and associating with the likes of Charles Russell, James Swinnerton, Maynard Dixon, Will James, Olaf Seltzer, Carl Oscar Borg, and western celebrities including Will Rogers and Leo Carillo.In 1891, Borein started etching. He produced a large number of etchings that were very popular and sold well. At the suggestion of Russell, Borein went to Canada in 1912, where he worked for two years.In 1921, Borein married and settled in Santa Barbara where he lived for the rest of his life. He continued his etching and illustrating. He was called the "cowpuncher artist" and throughout his life he lived the part, always wearing the colorful outfit of the cowboy. He died in Santa Barbara on May 19, 1945, at the age of 72." This information was compiled for www.Askart.com by the Thomas Nygard Gallery
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