Shalako Ceremony Winter Solstice

The draped man is the ceremonial father to the Fire God. A long horn figure is depicted along with his helper, the wood carrier. The mountains in the background represent Corn Mountain, where they hid from the Spanish.  The first figure on the left is the Fire God, Shulawitsi.

I love how expressive the clouds surrounding the moon are !!!

(1933-1974, Hopi) Naha's chief medium was casein, although he did produce works in oils, pastels, inks and acrylics. His favorite subjects were Hopi and Zuni kachinas and ceremonies. He often used black or dark paper as his brush tended to be on the dark side.

Since Naha painted in perfect detail, his paintings present a beautiful study of the masks, costumes, jewelry, body paint and paraphernalia of the dancers. As his compositions ranged from loose and scattered arrangements to tight, closed lines of dancers; it is difficult to ascribe a chronological sequence to his works. There is often humor in Naha's art as illustrated in a painting of tumbling dancers whose moccasin soles show holes in them.

Among the awards he received were: First award at the Philbrook Show on two occasions; Indian Arts Fund Award in Santa Fe; Bimson Grand Award at the Scottsdale National and First awards at different Gallup Ceremonials. He is cited in The Biographical Directory of Native American Painters by Patrick D. Lester, The St. James Guide to Native North American Artists, American Indian Painting by Dorothy Dunn and Southwest Indian Painting by Clara Lee Tanner.